Oscillate Artfully

Wow, has so much time already passed since I promised to write more blog posts? Time flies when you’re having visitors. In fact, I’ve over a month’s worth of thought backlog to transcribe and edit into legible form.

About a month ago, James and I were merrily meandering down Haight Street when we came upon what is probably the best record shop in the world. The experience of walking into Amoeba records for the first time is roughly similar to going downstairs in Blackwells in Oxford. You see the lines of shelves running away and converging on the distant horizon and your mind somersaults to think that there’s so much good stuff out there. There can’t be enough hours in a human life to listen to all the CDs in Amoeba, but if the staff would have let me sleep there I’d have been tempted to try.

I was good; I limited myself to one purchase – and what a purchase! I shelled out eighteen clams for a little cardboard box titled Oscillons from the Anti-Sun. Said box contains three CDs of tracks from Stereolab’s elusive EPs, a DVD of promo videos and live performances, and little CD sleeve sized stickers of their EP covers. All excellent, but most importantly it has the song Fluorescences, which I heard once in 1996 on Mark Radcliffe’s Radio 1 graveyard slot and have wanted ever since. It’s just as good as I remember.

A lot of the early Stereolab stuff I haven’t heard before. Listening to Jenny Ondioline I realised that, odd as it may sound, there are aesthetic similarities between Stereolab and Wilco, especially when you compare the groop’s early stuff to material from Wilco’s latest, A Ghost is Born. There are moments where both bands will build up a tapestry of noise, a repetitive riff, a synthy drone and mechanical percussion, and then they’ll break through this with a pretty melody sung by a modest voice.

And what’s an oscillon? It’s a recent (1996) discovery in the field of physics. Here’s a video of an oscillon in action. Essentially they are surprisingly constant patterns formed by vibrating particles, of great significance to those who study chaos theory.

And who are Stereolab? They’re an oddly retro-futuristic band who often stuff a gamut of musical styles into three-part pop songs. Half of the band are from London, the other half from Paris, and I’m a sucker for their singer, Laetitia Sadier. Imagine Juliette Binoche playing a cooly detatched pop singer and you’re almost there.