A Lesson in Framing and Disclosure

Chris Marker’s Junkopia is watchable online. I really love the framing and the rhythm of the cutting in this piece, and the way each shot of an object reveals a different aspect depending on angle and context, both spatially and within the film’s own timeline (“narrative” seems too strong a word). There is something reminiscent of Ozu’s little transitional sequences here.

A rainbow-coloured fish in Chris Marker's

The film was shot in Emeryville, near the east section of the Bay Bridge, but unless I’m mistaken the co-ordinates in Marker’s intertitles appear to be for somewhere in Redwood City.



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